Asian Reporter, V30, #08 (July 6, 2020), page 11.
Pick me up off the floor, Norah Jones asks on
her new album
By Mesfin Fekadu
The Associated Press
NEW YORK ó The title of Norah Jonesí new album, Pick Me Up
Off the Floor, has two chief meanings.
After spending two years recording one-off monthly sessions,
the piano-playing jazz-pop singer realized she had enough great
songs piled up. "I didnít know what was happening with them. I
was sort of picking them up and putting them together. That was
sort of the idea," she said.
The other meaning? Itís the extremely literal one: the songs
were sad, and Jones needed a hand getting up.
"That feeling of desperation, when you just need somebody to
pick you up, it was all of that," she said.
Jonesí seventh album was released in June and though the
11-track album was written and recorded sporadically, it is a
cohesive set that is personal and emotional, with song titles
like "How I Weep," "Hurts to Be Alone," "Heartbroken, Day
After," and "Stumble On My Way" to drive the point home.
"Then it whacks me straight into my stomach at night, itís a
hard blow to take with all of its might/It tries to be sorry, it
tries to be sweet, then it runs out the door as if on two feet,"
she sings on the opening track.
But Jones, 41, isnít down and out the entire time ó the
albumís later songs, including "Iím Alive" and "To Live," finish
off with hopeful notes proving there is light at the end of the
"I feel like thereís a lot on this album that is very
personal ... I think I was sad when I wrote a lot of them, for
sure, obviously," said Jones, who added that the subjects of the
songs came from one period of time in her life, though she
didnít say when that was.
Getting the sad songs out of her system was healing, she
"I think itís a really good way to release it, actually. Itís
more like an outlet for me to sort of release that sadness, I
guess," she said. "It feels really good to write songs when
youíre feeling things deeply because you have somewhere to put
all that energy. I think itís almost like therapy."
After she finished touring her 2016 album Day Breaks,
Jones held monthly recording sessions to collaborate with
artists and also to put out singles without thinking about a
full-length album. She said she was extremely inspired to write,
and the songs poured out of her.
"Iím not incredibly prolific usually. Iíll go through
creative spurts, but I think just the act of doing these
sessions every few months was like throwing another log on the
fire," she said. "I just thought it might open me up to new
things, and it so did. Out of it came the album I wasnít trying
She began to live with the songs ó listening to them on her
phone while walking the dog or in the house ó and thought of
ways to enhance the piano-based tunes, the majority of them
written and produced solely by herself: "What do I want to add
to it? Do I want to add horns? Does it need anything?"
Once she realized she had a full album she loved listening
to, she worked on song sequencing to prevent it from sounding
like a completely gloomy affair: "Let it get sad but not so sad
that you donít want to listen anymore."
"It could be very different (depending on) the way the
sequence goes," she said. "Thatís the art of the album making,
the arc of whatever story youíre trying to tell."
As for her next project, Jones isnít sure how the songs will
come together, but sheís still going to hold one-off sessions
because it feels like freedom.
And though sheís stuck at home like the rest of the world,
sheís still writing during the pandemic, when time allows it:
"Iíve had a few moments of little lightning bolts where I write
ideas down, but ... my kids are 4 and 6, so itís been a lot of
The recent worldwide protests in the response to the killings
of George Floyd, Ahmaud Arbery, Breonna Taylor, and other Black
people have moved her to write, too.
"Sometimes things come through you (and) you try to capture
them," she said. "Last week [early June] has inspired a lot of