INSIDE:

NEWS/STORIES/ARTICLES
Book Reviews
Columns/Opinion/Cartoon
Films
Covid Information
International
National

NW/Local
Recipes
Special A.C.E. Stories

Sports
Online Paper (PDF)

CLASSIFIED SECTION
Bids & Public Notices

NW Job Market

NW RESOURCE GUIDE

Consulates
Organizations
Scholarships
Special Sections

Asian Reporter Info

About Us

Advertising Info.

Contact Us
Subscription Info. & Back Issues


FOLLOW US
Facebook

Twitter

 

 

ASIA LINKS
Currency Exchange

Time Zones
More Asian Links
 


Copyright © 1990 - 2023
AR Home

 


Where EAST meets the Northwest

"CELEBRATE OREGON!" The "Celebrate Oregon!" artwork, created to honor the diverse cultures that call Oregon home, is a vibrant tapestry of Oregon geography into which are woven 127 symbols that depict our shared arts, history, and humanities. Large 16-foot murals of "Celebrate Oregon!" have been installed at the airports in Eugene, Medford, Redmond, and Portland. (Image courtesy of the Oregon Cultural Trust)

From The Asian Reporter, V32, #1 (January 3, 2022), page 17.

Celebration of Oregonís diversity debuts at Portland airport

By Steven Tonthat

Oregon Public Broadcasting

PORTLAND, Ore. (AP) ó At first glance, Eugene artist Liza Mana Burnsí latest mural is a bright and colorful panorama depicting Oregonís diverse landscape.

However, the work ó titled "Celebrate Oregon!" ó actually contains images of 127 seemingly random objects: a wine bottle, a Chinook salmon, a comic book, the Siuslaw Bridge ó all on display at Portland International Airportís Concourse B, near Alaska Airlines gates.

Individually, the objects depicted in the mural might seem inconsequential. But take a step back and youíll realize that every one of them represents a part of Oregonís history.

At the bottom left corner is a beer glass, a nod to Oregonís reputation as being at the forefront of the craft beer industry.

Shift your eyes to the right, and you might find the books The Left Hand of Darkness by Ursula Le Guin and Only What We Could Carry by Lawson Fusao Inada, two of Oregonís most prominent writers.

Suddenly, the muralís message becomes clear: Oregon isnít a homogenous place.

Much like its diverse geography, the state is a collection of different people and customs that come together to form a giant cultural mosaic.

"You think culture is opera and ballet but itís everything. Itís history, itís language, itís dance, itís food, itís indigenous culture," said Burns, the muralís creator.

While working on the project, Burns said, she learned a lot about aspects of Oregonís history that she was unaware of growing up.

"I didnít know who York was, which is embarrassing to say," Burns said, in reference to the African-American man who was an integral part of Lewis and Clarkís expedition. "So we got to include him. I didnít know about the city of Vanport. So I learned a lot of pieces about Oregon history."

Vanport was the stateís second largest city in the 1940s, before completely disappearing after a catastrophic flood in 1948.

Burns said that the most challenging part of the project was making sure to include all aspects of Oregonís history and culture.

She admitted that being a 32-year-old white woman meant that her worldview was inherently limited. So she reached out to various community leaders to learn about what she might be missing or getting wrong. "I said, ĎI would like to work with people from the community to say, OK, what symbols are we missing?í"

Burns worked with volunteer cultural content experts like Chuck Sams III, an Oregon Cultural Trust board member and deputy executive director of the Confederated Tribes of the Umatilla Indian Reservation. Sams was recently named head of the National Park Service.

"He was helping with selection of the indigenous symbols and he brought up the American Indian movement. So we looked up that symbol and included that symbol," Burns said.

She also worked with Linda Castillo, the Diversity, Equity & Inclusion manager at the Immigrant and Refugee Community Organization (IRCO).

"She came up with the hummingbird and a sunflower, which are two symbols that I didnít know had cultural meaning to Hispanic Oregonians," Burns said.

The hummingbird, she discovered, is treasured for its almost magical qualities and is an important symbol for the Mexican and Indigenous communities.

The sunflower has been used in Hispanic culture as ornaments, a food source, and as medicine.

Through those conversations, as well as many others, Burns selected the 127 elements that represented a part of Oregonís culture that, when looked at as a whole, make up the entire state.

Viewers can scan a special QR code with their phone that will lead to an interactive key to help decipher the meanings of the symbols.

The mural is the result of an 18-month long project by Burns and the Oregon Cultural Trust to commemorate the trustís 20th anniversary.

The Oregon Cultural Trust was created in 2001 by the Oregon state legislature and funds multiple arts and cultural projects across the state. According to the trustís communications manager, Carrie Kikel, the fund has raised more than $74 million for arts and culture programs.

The trust is partially funded through a cultural tax credit, where a private donor will receive a tax credit for donating to the trust and any of the 1,500 cultural organizations across the state.

"In establishing the trust, the legislature was saying to Oregonians: ĎWe will fund culture with state dollars, but only if Oregonians tell us it matters to them,í" Kikel said.

In 2020, the Oregon Cultural Trust looked to revamp the artwork for their custom license plate, which was created to promote the cultural tax credit.

"We wanted to create a design that truly reflected all Oregon culture and all the diversity of Oregon culture. And that was a really lofty goal. How do you reflect all of Oregonís diverse cultures in that tiny space?" Kikel said.

After an extensive search process, the trust unanimously selected Liza Burns, in part due to her artist statement.

"She decided you have to start with this place, because if not for this place, there would be no culture, there would be no people, there would be no spirit of Oregon," Kikel said. "So how do you represent so many different cultures? You give them each a little piece of the real estate."

After seeing Burnís design, officials at the trust felt that her vision deserved a much bigger and more public platform.

So Burns turned her small license plate image into four large 16-foot murals that were installed at the airports in Eugene, Medford, Redmond, and Portland.

"Having murals at airports was really about how the artwork could serve as an introduction and really communicate who we are as a people and what we value," said Kikel.

Designing this public-art project opened Burnsí eyes to the richness of culture in her home state. Ultimately, she hopes that people will take the time to pay attention to the little details in her mural.

"I really encourage people to use the QR code and learn about some of those symbols. I guarantee youíll find something you didnít know about Oregon, or a piece that you thought you knew, but you can learn more about."

To view the interactive key that explains the meanings of the 127 symbols contained within the "Celebrate Oregon!" artwork, visit <https://culturaltrust.org/celebrateoregon/license-plate-narrative/>.

***

Read The Asian Reporter in its entirety!
Go to <www.asianreporter.com/completepaper.htm>!