LEGENDARY FILMMAKER. The top image, released by GKIDS, shows Mahito Maki, voiced by Luca Padovan in English and Soma Santoki in Japanese, in a scene from Hayao Miyazaki’s The Boy and the Heron. The bottom image shows Himi, voiced by Karen Fukuhara in English and Aimyon in Japanese. Hayao Miyazaki, the legendary Japanese filmmaker whose anime classics have enchanted fans around the world for decades, has won his second career Oscar for The Boy and the Heron. (Images courtesy of Studio Ghibli GKIDS)

From The Asian Reporter, V34, #4 (April 1, 2024), page 12.

By Rio Yamat

The Associated Press

LOS ANGELES — Hayao Miyazaki, the legendary Japanese filmmaker whose anime classics have enchanted fans around the world for decades, has won his second career Oscar.

At 83, Miyazaki won for helming the best animated film, The Boy and the Heron, the long-awaited fantasy from the director of Spirited Away, My Neighbor Totoro, and Kiki’s Delivery Service.

He is the oldest director ever nominated for the category and the oldest winner by more than two decades — adding to a big year in Hollywood for older filmmakers.

Hailed as one of the best films of 2023, The Boy and the Heron beat its top rival in Spider-Man: Across the Spider-Verse, as well as Elemental, Nimona, and Robot Dreams.

It’s only the second hand-drawn animation winner in this category. The first, 21 years ago, was Miyazaki’s Spirited Away — his first-ever Oscar.

The win for Miyazaki and producer Toshio Suzuki caps off a solid awards season run for the film, which won the top honor for an animated feature at the Golden Globes and the BAFTA Film Awards.

They were not present at the awards, but Studio Ghibli’s Kiyofumi Nakajima read a statement backstage from Suzuki.

"Both Hayao Miyazaki and I have aged considerably," he said through a translator. "I am grateful to receive such an honor at my age, and taking this as a message to continue our work, I will devote myself to work harder in the future."

It was Miyazaki’s fourth Oscar nomination for best animated feature — tying with Pixar’s Pete Docter for the most nods in that category.

Miyazaki began work on The Boy and the Heron not long after announcing in 2013 that he intended to retire from film — again.

In journal excerpts from around that time released in the film’s press notes, Miyazaki writes: "There’s nothing more pathetic than telling the world you’ll retire because of your age, then making yet another comeback.

"Doesn’t an elderly person deluding themself that they’re still capable, despite their geriatric forgetfulness, prove that they’re past their best?" he adds. "You bet it does."

Miyazaki worked through those concerns, and the resulting film earned him not only his second Oscar win, but his first No. 1 feature at the North American box office.

The Boy and the Heron follows a boy named Mahito Maki who moves to the countryside after his mother’s death. There, he is lured by a mysterious heron into a secluded tower, a portal that transports him to a fantastical realm amid his grief.

The film was a decade in the making. In the age of CGI and artificial intelligence, Miyazaki has stuck to the lengthy process of hand-drawing his animations.

When he received an honorary Oscar in 2014 celebrating his artistry and storytelling, he expressed gratitude for the art of drawing.

"My wife tells me that I’m a very lucky man," Miyazaki said in his acceptance speech through a translator. "And I think I’ve been lucky because I’ve been able to participate in the last era when we can make films with paper, pencil, and film."